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Welcoming Elijah: A Passover Tale with a Tail Hardcover – Picture Book, January 28, 2020
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Inside, a boy and his family sit around the dinner table to embrace the many traditions of their Passover Seder around the dinner table. Outside, a cat wonders, hungry and alone. When it's time for the symbolic Passover custom of opening the family's front door for the prophet Elijah, both the boy and the cat are in for a remarkable surprise.
- Reading age5 - 8 years
- Print length32 pages
- LanguageEnglish
- Grade levelKindergarten - 3
- Lexile measureAD430L
- Dimensions11.38 x 0.4 x 8.81 inches
- PublisherCharlesbridge
- Publication dateJanuary 28, 2020
- ISBN-101580898823
- ISBN-13978-1580898829
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From the Publisher
From the Author's Note
When I was growing up, Passover was my favorite holiday, and I especially loved to open the door for Elijah. I stood on the doorstep, feeling the cool night air on my face and gazing out into the darkness. I never caught a glimpse of Elijah, yet each year when I returned to the table, his cup was no longer full. Had Elijah actually come, or had one of the grown-ups taken a few sips from his cup? It doesn’t matter. What matters is that we all do what we can to help bring about a time of peace.
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Editorial Reviews
Review
—School Library Journal (Starred Review)
♦ Just as Jewish families open their doors for the prophet Elijah, Welcoming Elijah opens the Seder ritual and invites readers into the festivities. This heartwarming tale of a young boy and a tiny, stray kitten plays out entirely during the traditional meal as the story of the Exodus is retold and celebrated.
Lesléa Newman's (Gittel's Journey) poetic text alternates between the boy's perspective and that of the feline: "Inside, the boy drank grape juice./ Outside, the kitten lapped at a puddle." Inside, readers are engaged with the customs of a Jewish Seder, like filling Elijah's cup, dipping parsley into salt water and singing (the activities are discussed further in an author's note). Outside, the kitten mewls and swings its "skinny tail." Susan Gal's (Bella's Fall Coat illustrator) atmospheric illustrations reinforce the contrasting viewpoints: the child bathed in light and surrounded by family, the cat alone in the dark. This variance, paired with foreshadowing in the early pages--"Tonight would be different/ from all other nights./ The boy knew this./ The kitten did, too"--develops an intriguingly suspenseful tone. Gal's digital collage, charcoal and ink illustrations switch between hot and cool palettes, creating a sense of emotional warmth. Her superb use of line gives a fluidity to the art as well as a tactile impression of texture--readers will likely want to cuddle the furry white kitten with the silky pink ears. Meanwhile, anticipation builds for the moment the parallel paths of boy and kitten veer to intersect.
Together Newman and Gal immerse their audience in the beauty and joy of the Jewish service. This delightful, captivating Passover narrative can be appreciated by readers of any faith. Discover: The orbits of a Jewish boy and a stray kitten collide during a Seder dinner in Welcoming Elijah, a picture book Passover tale.
—Shelf Awareness (Starred Review)
". . .vibrant. . ."
—The New York Times
Passover nights are different, happily so for a boy and a kitten.
It’s a Seder night, and a boy and his large family welcome guests to the festive holiday celebration. There are many rituals in the evening, including filling a cup of wine for the prophet Elisha, but his favorite is opening the door to welcome Elijah in. Writing in contrasting couplets, Newman relates the many elements of the holiday as “inside” activities. There are also “outside” goings-on. A fluffy white cat in the yard does feline things that seem to mimic what the family and their guests are doing except in one respect. The family enjoys plenty of good food while the kitten “swishe[s] his skinny tail.” Finally it is time to hold open the door, and who should be standing there but that irresistibly appealing fluffy white kitten. Boy and kitten, to be named Elijah of course, embrace as the others look on in joy. Gal’s softly smudged illustrations, rendered in ink, charcoal, and digital collage, warmly reflect the text’s contrasts, with bright yellows illuminating the household and iridescent blues bathing the outdoor scenes. The family and friends are racially diverse, with both black- and white-presenting group members. The boy himself presents white; the men wear kippot. While not the traditional holiday outcome, it should please celebrants and cat lovers all.
—Kirkus Reviews
On Passover, inside his warm and cozy house, a boy waits expectantly for his family’s Seder. Outdoors, a kitten waits alone for the moon to appear. Inside, the Seder begins. The boy fills the Cup of Elijah, a ritual that welcomes the prophet into the home. The child listens to the Passover story and enjoys a traditional meal, while outside the cat listens to whispering leaves and “ate nothing at all.” Readers recognize or learn about nearly all the steps of the Seder while getting to know the roaming feline, its roughly parallel activities shown, split-screen-style, on every spread. The cat’s rambles lead to the boy’s doorstep at the same moment he opens the door for the prophet: “And that’s how Elijah found a home.” Gal’s warmhearted illustrations, in ink, charcoal, and digital collage, show a diverse, loving extended Jewish family. The art is suffused with light, including golden hues, warm browns, and midnight blues along with textured brushstrokes, subtle patterns, dark outlines, and the whitish-gray cat. Passover-themed details in the text (“Tonight would be different from all other nights,” think boy and cat—a nod to the Four Questions), the illustrations (gefilte fish advertised in a market window), and the story’s message—let all who are hungry come and eat—will resonate with readers; for those unfamiliar with the holiday, Newman’s informative and personal appended author’s note provides more detail. Waiting is a feeling with which young Seder-goers will likely be familiar. The protagonist’s wait ends not as he expected, but satisfyingly nonetheless.
—The Horn Book
About the Author
Susan Gal holds a BFA from Art Center College of Design and has illustrated several books for children, including Abracadabra, It's Spring! and Here Is the World: A Year of Jewish Holidays. galgirlstudio.com
Excerpt. © Reprinted by permission. All rights reserved.
Inside, a boy hugged his family. Outside, a kitten sat alone.
Inside, the boy waited for the Seder to start. Outside, the kitten waited for the moon to rise.
Tonight would be different from all other nights. The boy knew this. The kitten did, too.
Product details
- Publisher : Charlesbridge; Illustrated edition (January 28, 2020)
- Language : English
- Hardcover : 32 pages
- ISBN-10 : 1580898823
- ISBN-13 : 978-1580898829
- Reading age : 5 - 8 years
- Lexile measure : AD430L
- Grade level : Kindergarten - 3
- Item Weight : 1.05 pounds
- Dimensions : 11.38 x 0.4 x 8.81 inches
- Best Sellers Rank: #248,482 in Books (See Top 100 in Books)
- #21 in Children's Jewish Holiday Books
- #71 in Children's Jewish Fiction Books
- #1,190 in Children's Cat Books (Books)
- Customer Reviews:
About the author
Lesléa Newman is the author of 75 books for readers of all ages including the teen novel in verse, OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD; the middle grade novel, HACHIKO WAITS; the poetry collection, I CARRY MY MOTHER; the short story collection, A LETTER TO HARVEY MILK; and the children's books, A SWEET PASSOVER, THE BOY WHO CRIED FABULOUS, KETZEL, THE CAT WHO COMPOSED, and HEATHER HAS TWO MOMMIES. Her literary awards include poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation. OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD was named an American Library Association 2013 Stonewall Honor Book, and A SWEET PASSOVER was named a 2013 Sydney Taylor Honor as well. A past poet laureate of Northampton, Massachusetts, she is a faculty member of Spalding University's brief-residency MFA in Writing program. Her newest poetry collection, I CARRY MY MOTHER is a book-length cycle of poems that explores a daughter's journey through her mother's illness and death. From diagnosis through yahrtzeit (one-year anniversary), the narrator grapples with what it means to lose a mother. The poems, written in a variety of forms (sonnet, pantoum, villanelle, sestina, terza rima, haiku, and others) are finely crafted, completely accessible, and full of startling, poignant, and powerful imagery. These poems will resonant with all who have lost a parent, relative, spouse, friend, or anyone whom they dearly love.
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